![]() ![]() The results in Augmented Voices are a little less compelling if you ask me, but it’s still great to see Arturia try something new and bring something other than emulations of vintage synths to the V Collection. Choirs and soloists get processed and smashed up against various synth engines to create everything from ‘80s-inflected synthpop arpeggios to guttural wails for your next Hans Zimmer tribute. The twist is that, instead of using string and orchestral sound, Augmented Voices uses, well, voices. If your whole thing is cinematic sound design, the Augmented series will probably pique your interest.Īugmented Voices follows the same basic formula as Strings: Combine four layers (two sample and two synth) to create unique blends of acoustic and artificial textures. This is your chance to take your place in music history. This is decades of passionate research, modeling, and development. This is the most comprehensive anthology of classic synth and keyboards ever made. You can swap in samples or synth engines, dial in separate envelopes for each of the four layers, and choose whatever effects you want. Overview of Arturia V Collection for macOS. The core UI and sounds are all the same, but the addition of an Advanced tab give you complete control over the instrument. ![]() But the one included in the V Collection is far more robust. We already got a taste of Strings a few weeks ago when Arturia launched the Intro version for free. ![]() Check it out let us know what you think: Here’s what Schilling has to say about the patch: The Blade Runner Blues lead / harmonica patch is one of the most expressive patches. The biggest additions to the family, though, are definitely the Augmented Voices and Augmented Strings. Synthesist and sound designer Paul Schilling has shared a free patch for Arturia CS-80v that nails the sound of Vangelis‘s iconic ‘Blade Runner Blues‘ CS-80 patch. ![]()
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